{"id":73529,"date":"2019-10-02T11:10:41","date_gmt":"2019-10-02T09:10:41","guid":{"rendered":"https:\/\/foradequadre.org\/guinea\/the-writer\/"},"modified":"2026-04-15T19:06:28","modified_gmt":"2026-04-15T17:06:28","slug":"the-writer","status":"publish","type":"page","link":"https:\/\/elescritordeunpais.com\/en\/","title":{"rendered":"The Writer From a Country Without Bookstores"},"content":{"rendered":"

[vc_row row_height_percent=”56″ back_color=”color-191079″ back_image=”73293″ back_repeat=”no-repeat” back_position=”right top” overlay_color=”color-191079″ overlay_alpha=”5″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ row_height_pixel=”70″][vc_column column_width_percent=”68″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_single_image media=”73320″ media_width_percent=”100″ el_class=”imatge_cat”][vc_single_image media=”73574″ media_width_percent=”100″ el_class=”imatge_esp”][vc_single_image media=”73579″ media_width_percent=”100″ el_class=”imatge_eng”][vc_empty_space empty_h=”3″][vc_column_text]<\/p>\n

<\/h4>\n

A film by MARC SERENA<\/strong><\/span>
\nwith JUAN TOM\u00c1S \u00c1VILA LAUREL<\/strong><\/span><\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”4″ back_color=”color-205659″ overlay_alpha=”22″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ position_horizontal=”left” position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73882″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73879″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73885″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73875″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74142″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74027″ media_width_percent=”100″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74139″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74002″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73897″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74070″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74101″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74118″ media_width_percent=”100″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-209078″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ row_name=”sinopsi” el_class=”Sinopsi”][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][vc_column_text]Writer Juan Tom\u00e1s \u00c1vila Laurel had to flee Equatorial Guinea<\/a> in 2011, after going on a hunger strike against Teodoro Obiang<\/a>\u2019s dictatorship, the longest lasting in the world. Now he resides as a refugee in Spain, the former colonial power, but longs the country where he lived for 40 years. Until he decides to take a step forward.<\/p>\n

Feature documentary. 82 minutes. Spanish\/Annobonese Creole. 2019.<\/em>[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”50″ back_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Tr\u00e0iler” row_name=”trailer”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”2″][vc_column_text]https:\/\/vimeo.com\/513819150[\/vc_column_text][vc_empty_space empty_h=”4″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”53″ back_image=”73449″ back_repeat=”no-repeat” back_position=”right center” parallax=”yes” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Juan Tom\u00e1s” row_name=”Juan Tomas”][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-209078″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Juan Tom\u00e1s \u00c1vila Laurel<\/span><\/h1>\n

[\/vc_custom_heading][vc_column_text]Juan Tom\u00e1s \u00c1vila Laurel (1966) is Equatorial Guinea\u2019s most translated writer. He is from Annob\u00f3n, a tiny island in the Atlantic Ocean, although he has been living most of his life in the capital, Malabo. He writes in Spanish and has published twenty titles in different genres.<\/p>\n

He is mostly known for his novel By Night the Mountain Burns<\/a><\/em>, shortlisted at the UK 2015 Independent Foreign Fiction Prize. It was the second Equatorial Guinea book ever translated in English<\/a>. He has also written The load<\/em> (1999), Airplane of the Rich, Thief of Pigs<\/em> (2008) and Panga Rilene<\/em> (2016). His latest novel published is English is The Gurugu Pledge<\/a> <\/em>(2017).<\/em><\/p>\n

He was worked as a nurse, editor and candy street vendor. He actually lives in exile in Spain, after a hunger strike against the regime of Teodoro Obiang. His work is studied by scholars around the world.<\/a><\/p>\n

This 2021, his novel By Night the Mountain Burns<\/a><\/em> will became a play called “Annob\u00f3n” to be premiered in Malabo, Bata (Equatorial Guinea) and Grec Festival Barcelona<\/a> (Spain).[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-191079″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”L’equip” row_name=”equip”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

The team<\/span><\/h1>\n

[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”122356″]<\/p>\n

Marc Serena (1983) codirected the award-winning documentary\u00a0Tchindas<\/a><\/em> (2015), broadcasted at PBS (US) and nominated by the Africa Film Academy at the AMAA Awards (Nigeria). He has written three books and has been translated into Chinese and Korean. Alexandria Mediterranean Film Festival<\/a> (Egypt) distinguished in 2020 his career with an award.<\/p>\n

\n

With music from:<\/em>\u00a0Concha Buika<\/a>,<\/a>\u00a0Pau de Nut,<\/a>
\nNegro Bey<\/a>,\u00a0Jamin<\/a> and Charli Weezy<\/a><\/p>\n

Editor:<\/em>
\nEmanuele Tiziani<\/a><\/p>\n

DoP:
\n<\/i>Josep Guti\u00e9rrez<\/a><\/p>\n

Animation and graphic identity:
\n<\/em>Taller Estampa<\/a><\/p>\n

Sound:<\/em>
\nVer\u00f2<\/span>nica Font<\/a>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_column_text]<\/p>\n

Colour postproduction:<\/em>
\nArtic<\/a><\/p>\n

Executive production:
\n<\/i>Marc Serena and Toni Espinosa<\/p>\n

The project has been developed at Dox in Vitro<\/a> (Slovakia), Frontlab<\/a> (Italy) 2018, Dig Awards<\/a> (Italy), Fest.pt<\/a> (Portugal) and Bolivialab<\/a> (Bolivia) 2019.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-205659″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Galeria” row_name=”galeria”][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Gallery<\/span><\/h1>\n

[\/vc_custom_heading][vc_gallery el_id=”gallery-835786″ isotope_mode=”fitRows” medias=”73428,73434,73437,73440,73508,73449,73431,73446″ gutter_size=”3″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”50″ single_padding=”2″][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-209078″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”diuen” row_name=”diuen”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Reviews<\/span><\/h1>\n

[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text]<\/p>\n

\n
\n

\u201cHope and despair wrestle in \u00c1vila Laurel’s work\u201d<\/a>
\nFinancial Times (UK)
\n<\/span><\/h4>\n

\u201cHis books will echo in its readers\u2019 heads for a long time\u201d<\/a>
\nThe Guardian (UK)
\n<\/span><\/h4>\n<\/div>\n<\/div>\n

\u201cAs Frantz Fanon, \u00c1vila Laurel traces the paths of memory\u201d<\/a>
\nElisa G. Rizo, Iowa State University (US)
\n<\/span><\/h4>\n

\u201cBeyond Latin America, there is also a Latin Africa\u201d<\/a>
\nSchw\u00e4bisches Tagblatt (Germany)<\/span><\/h4>\n

\u201cA must-watch movie to understand a country that was once Spanish\u201d<\/a>
\nelPeri\u00f3dico (Spain)<\/span><\/h4>\n

\u201cTalking about what others don’t\u201d<\/a>
\nEl Antepen\u00faltimo Mohicano (Spain) <\/span><\/h4>\n

\u201cThe first feature film shot in the country that dares to critize the local regime\u201d<\/a>
\nTV5 Monde (France) <\/span><\/h4>\n

\u201cAn honest, critical examination of the country\u201d<\/a>
\nAfrica Is a Country (US) <\/span><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”169911″]<\/p>\n

\u201cSober images, without embellishment\u201d<\/a>
\nFreies Radio (Germany)<\/span><\/h4>\n

\u201cOne of the world’s oldest dictatorship\u201d<\/a>
\nDW (Germany)<\/span><\/h4>\n

\u201cThe film enters with a camera in an outlaw territory that still suppurates Spanish fascism.\u201d<\/a>
\nEl Pa\u00eds (Spain)
\n<\/span><\/h4>\n

\u201cThe B-side of the film ‘Palm Trees in the Snow’\u201d<\/a>
\nLe Monde Diplomatique (France)<\/span><\/h4>\n

\u201cA film that comes to settle a historical debt\u201d<\/a>
\nCaim\u00e1n-Cuadernos de cine (Spain)<\/span><\/h4>\n

\u201cOne of the best of the year\u201d<\/a>
\nEldiario.es (Spain)
\n<\/span><\/h4>\n

\u201cOne of the docs of the year\u201d<\/a>
\nBetev\u00e9 (Spain)<\/span><\/h4>\n

\u201cRepetitive and deeply anti-Spanish\u201d<\/a>
\nEpiscopal Conference of Spain
\n<\/span><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-191079″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”veurela” row_name=”veurela”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Watch<\/span><\/h1>\n

[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text css=”.vc_custom_1776272785376{margin-top: 20px !important;}” uncode_shortcode_id=”766292″]EXCLUSIVE STREAMING IN SPAIN AT FILMIN<\/a><\/p>\n

2021<\/strong><\/p>\n

24th March. 19.45h<\/strong> Cinemes Girona, Barcelona<\/a>. (Spain). With Q&A.<\/p>\n

9-18th April<\/strong>. Festival Vues d’Afrique<\/a> (Canada).<\/p>\n

13th April.<\/strong> Sala Berlanga<\/a>. Madrid (Spain).<\/p>\n

30th April<\/strong>. Iberodocs<\/a> (Scotland)<\/p>\n

9-20th May<\/strong>. Muica Colombia<\/a>.<\/p>\n

21st May.<\/strong> 20.30h.<\/strong> Cineclub El Casal La Mirada,<\/a> Mollet del Vall\u00e8s (Spain).<\/p>\n

28th May<\/strong>. 18.30h<\/strong>. Biblioteca Ignasi Igl\u00e9sias-Can Fabra<\/a>, Barcelona (Spain). With Q&A.<\/p>\n

10th June<\/strong>. 19h.<\/strong> DocuXix\u00f3n<\/a>. Gij\u00f3n (Spain).<\/p>\n

16th June.<\/strong> Valladolid (Spain).<\/p>\n

28th June.<\/strong> Institut Fran\u00e7ais Barcelona (Spain)<\/a>. With Negro Bey.<\/p>\n

6th July. <\/strong>Cine Zoco Majalahonda<\/a> Madrid (Spain). With Negro Bey.<\/p>\n

13th July.<\/strong> Filmoteca Canaria<\/a> – Santa Cruz de Tenerife. (Spain).<\/p>\n

14th July.<\/strong> Filmoteca Canaria<\/a> – Las Palmas de Gran Canaria. (Spain).<\/p>\n

16th July<\/strong>. Valldoreix (Spain).<\/a><\/p>\n

28th July<\/strong>. CFCE Cartagenas de Indias<\/a>. Colombia.<\/p>\n

13th August.<\/strong>\u00a0 Internacional Conference Spanish Proofreaders.<\/a> Colombia.<\/p>\n

9-11th September<\/strong>. Red Acampa.<\/a> A Coru\u00f1a (Spain).<\/p>\n

28th September<\/strong>. Reus<\/a> (Spain).<\/p>\n

5th October.<\/strong> Afrikaldia<\/a>. Vitoria-Gasteiz (Spain).<\/p>\n

9th October.<\/strong> Afrika FilmFestival Festival<\/a> (Belgium).<\/p>\n

19th October.<\/strong> Sant Vicen\u00e7 dels Horts (Spain).<\/p>\n

21st October.<\/strong> M\u00e1laga<\/a> (Spain).<\/p>\n

4th November.<\/strong> Auditori Sant Mart\u00ed.<\/a> Barcelona (Spain).<\/p>\n

8th November<\/strong>. Afriff Nigeria<\/a>. African premiere.<\/p>\n

10th November.<\/strong> 18.30h. XVII Human Rights Film Festival Zaragoza. Centro Joaqu\u00edn Ronca<\/a>l. Zaragoza (Spain).<\/p>\n

1st December<\/strong>. Autonomous University of Barcelona (Spain).<\/p>\n

9th December.<\/strong> Centre C\u00edvic Vil\u00b7la Florida<\/a>. Barcelona (Spain).<\/p>\n

14th December.<\/strong> RTP2<\/a>. Portugal.<\/p>\n

16th December.<\/strong> Centre C\u00edvic Trias i Peitx<\/a>. Barcelona (Spain).<\/p>\n

2022<\/strong><\/p>\n

17th February.<\/strong> Centre C\u00edvic La Sagrera<\/a>. Barcelona (Spain).<\/p>\n

25th February<\/strong>. Johns Hopkins University<\/a>. US.<\/p>\n

23rd April.<\/strong> C\u00edrcol Cat\u00f2lic<\/a>. Badalona (Spain).<\/p>\n

25-26 April<\/strong>. Cineclub Alcarre\u00f1o<\/a>. Guadalajara (Spain).<\/p>\n

27th April.<\/strong> Cameroon International Film Festival<\/a>. Buea, Cameroon.<\/p>\n

10th June.<\/strong> Spanish Night<\/a>. Ireland.<\/p>\n

20th July.<\/strong> La Palmera. FICAC<\/a>. Tarragona (Spain).<\/p>\n

27th September.<\/strong> 19h. Biblioteca Dos Rius. Torell\u00f3 (Spain).<\/p>\n

7th October.<\/strong> 19h. Sala ZALZIE. Casal Societat La Principal. Vilafranca del Pened\u00e8s (Spain).<\/p>\n

10th October.<\/strong> 18h. Biblioteca Mestre Mart\u00ed. Rub\u00ed (Spain).<\/p>\n

22st October.<\/strong> 19h. Cinema Montgr\u00ed. Torroella de Montgr\u00ed (Spain).<\/p>\n

2023<\/strong><\/p>\n

13th January<\/strong>. 21h. Azuqueca de Henares<\/a>.<\/p>\n

9th February<\/strong>. 17.15h Lit Fest Bergen<\/a>, Norway.<\/p>\n

22th February<\/strong>. 18h. Biblioteca Vila de Gr\u00e0cia<\/a> de Barcelona. And next day, debate with the protagonist<\/a>.<\/p>\n

6th June.<\/strong> Danish Cinemateque<\/a>, Denmark.<\/p>\n

21th July.<\/strong> Espai Cr\u00e0ter Olot, Spain.<\/p>\n

10th October.<\/strong> 18.30h. Casal Fort Pienc, Barcelona. Spain.<\/p>\n

19th October<\/strong>. 19h. Cambrils, Spain.<\/a><\/p>\n

4th November.<\/strong> La Bisbal, Spain.<\/p>\n

2024<\/strong><\/p>\n

24th April.<\/strong> Bilbao<\/a>.<\/p>\n

26th April.<\/strong> Parla, Spain<\/a>.<\/p>\n

11st November<\/strong>. Girona<\/a>.<\/p>\n

2025<\/strong><\/p>\n

19th March.<\/strong> Cumbre Afro<\/a>. San Juan, Puerto Rico.<\/p>\n

19th June.<\/strong> Cinem\u00f3n Sitges, Spain.<\/a><\/p>\n

2026<\/strong><\/p>\n

16th April.<\/strong> William and Mary.<\/a> US.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_empty_space empty_h=”2″][vc_column_text css=”.vc_custom_1569855103877{margin-top: 20px !important;}”][\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”53″ back_image=”73440″ back_repeat=”no-repeat” back_position=”right center” parallax=”yes” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Juan Tom\u00e1s” row_name=”Juan Tomas”][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-205659″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”extres” row_name=”extres”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]
\n\u2013<\/span>
\n[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text css=”.vc_custom_1569920050433{margin-bottom: -100px !important;}”]\u2013<\/span>[\/vc_column_text][vc_column_text]\u2013<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_column_text]\u2013<\/span>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”contacte” row_name=”contacte”][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][vc_column_text]Produced by\u00a0Fora de Quadre<\/a>\u00a0and\u00a0Toned Media<\/a>
\nInternational sales:\u00a0The Open Reel<\/a>
\ninfo@elescritordeunpais.com<\/a>[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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