{"id":73292,"date":"2019-09-16T15:20:33","date_gmt":"2019-09-16T13:20:33","guid":{"rendered":"https:\/\/foradequadre.org\/guinea\/?page_id=73292"},"modified":"2026-08-05T11:30:41","modified_gmt":"2026-08-05T09:30:41","slug":"el-escritor","status":"publish","type":"page","link":"https:\/\/elescritordeunpais.com\/ca\/","title":{"rendered":"L’escriptor d’un pa\u00eds sense llibreries"},"content":{"rendered":"

[vc_row row_height_percent=”56″ back_color=”color-191079″ back_image=”73293″ back_repeat=”no-repeat” back_position=”right top” overlay_color=”color-191079″ overlay_alpha=”5″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ row_height_pixel=”70″][vc_column column_width_percent=”68″ position_horizontal=”left” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_single_image media=”73320″ media_width_percent=”100″ el_class=”imatge_cat”][vc_single_image media=”73574″ media_width_percent=”100″ el_class=”imatge_esp”][vc_single_image media=”73579″ media_width_percent=”100″ el_class=”imatge_eng”][vc_empty_space empty_h=”3″][vc_column_text]<\/p>\n

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Una pel\u00b7l\u00edcula de MARC SERENA<\/strong><\/span>
\namb JUAN TOM\u00c1S \u00c1VILA LAUREL<\/strong><\/span><\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”4″ back_color=”color-205659″ overlay_alpha=”22″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ position_horizontal=”left” position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73849″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73852″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73859″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73871″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74143″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74026″ media_width_percent=”100″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74127″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74001″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”73894″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74069″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74086″ media_width_percent=”100″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image media=”74115″ media_width_percent=”100″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-209078″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ row_name=”sinopsi” el_class=”Sinopsi”][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][vc_column_text uncode_shortcode_id=”100176″]Guinea Equatorial<\/a> es va independitzar d’Espanya fa poc m\u00e9s de 50 anys i ara s’ha convertit en un dels pa\u00efsos m\u00e9s a\u00efllats d’\u00c0frica, sotm\u00e8s a una de les dictadures m\u00e9s longeves del m\u00f3n, la de Teodoro Obiang, un militar format a l’Acad\u00e8mia de Saragossa.<\/p>\n

Hi entrem acompanyats de l’escriptor m\u00e9s tradu\u00eft del pa\u00eds, Juan Tom\u00e1s \u00c1vila Laurel, que des del 2011 viu refugiat a Sant Cugat del Vall\u00e8s.<\/p>\n

A trav\u00e9s dels seus llibres ens endinsem en un rac\u00f3 de l’\u00c0frica on s’hi troben algunes de les v\u00edctimes m\u00e9s invisibles del franquisme i que, encara ara, pateix les conseq\u00fc\u00e8ncies de dos segles de dominaci\u00f3 colonial.<\/p>\n

Llargmetratge documental. 82 minuts. Castell\u00e0\/Crioll annobon\u00e8s. 2019.<\/em>[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”50″ back_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Tr\u00e0iler” row_name=”trailer”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”2″][vc_column_text]https:\/\/vimeo.com\/513818493[\/vc_column_text][vc_empty_space empty_h=”4″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”53″ back_image=”73449″ back_repeat=”no-repeat” back_position=”right center” parallax=”yes” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Juan Tom\u00e1s” row_name=”Juan Tomas”][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-209078″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Juan Tom\u00e1s \u00c1vila Laurel<\/span><\/h1>\n

[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”706696″]<\/p>\n

\u00c1vila Laurel (1966) va criar-se a Annob\u00f3n, una petita illa guineana de l\u2019Oce\u00e0 Atl\u00e0ntic, malgrat que ha passat bona part de la seva vida a la capital del pa\u00eds, Malabo. Escriu en castell\u00e0 i ha publicat una vintena de t\u00edtols, conreant diferents g\u00e8neres. La seva obra no ha estat mai editada en catal\u00e0.<\/span><\/p>\n

\u00c9s conegut per la novel\u00b7la Arde el monte de noche<\/a><\/em> (Calambur, 2009), finalista als Independent Foreign Fiction Prize 2015 de Gran Bretanya<\/a>. Actualment es troba descatalogada en la seva versi\u00f3 original i costa d’aconseguir, tamb\u00e9 a les biblioteques.<\/span><\/p>\n

\u00c9s tamb\u00e9 l\u2019autor de La carga<\/em> (1999), Avi\u00f3n de ricos, ladr\u00f3n de cerdos<\/em> (2008) i Panga Rilene<\/em> (2016). La seva novel\u00b7la El juramento del monte Gurug\u00fa<\/em> (2017) nom\u00e9s s\u2019ha publicat en angl\u00e8s<\/a> i franc\u00e8s. Les seves obres m\u00e9s recents son Cuando a Guinea se iba por mar<\/a><\/em> (2019) i Red Burdel<\/em><\/a> (2020).
\n<\/span><\/p>\n

Ha treballat com a infermer, editor i venedor ambulant de dol\u00e7os. Actualment viu exiliat a Catalunya, despr\u00e9s de la vaga de fam que va protagonitzar el 2011<\/a> en contra les complicitats espanyoles amb la dictadura de Teodoro Obiang. La seva obra \u00e9s estudiada en universitats de tot el m\u00f3n<\/a><\/span>, com a referent de la literatura postcolonial.<\/span><\/p>\n

\u201cEls seus llibres ressonaran als lectors durant un llarg temps\u201d<\/a> diu The Guardian. \u201cCom Frantz Fanon, \u00c1vila Laurel \u00e9s un escriptor que remunta els camins de la hist\u00f2ria<\/a>\u201d, afegeix Elisa G. Rizo, de la Universitat d\u2019Iowa.
\n<\/span><\/p>\n

El 2021 es va estrenar una obra teatral basada en la seva obra: Annob\u00f3n<\/em>, a Malabo, Bata i al Festival Grec de Barcelona<\/a>. El seu \u00faltim llibre es diu Pu\u00f1o cerrado, madre negra<\/a>.\u00a0<\/span><\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-191079″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”L’equip” row_name=”equip”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

L’equip<\/span><\/h1>\n

[\/vc_custom_heading][vc_column_text]<\/p>\n

Marc Serena (1983) va debutar amb el llargmetratge documental Tchindas<\/a> <\/em>(2015), que va ser nominat als AMAA, els premis de l\u2019Acad\u00e8mia del Cinema Afric\u00e0. Recentment ha codirigit Peixos d’aigua dol\u00e7a (en aigua salada)<\/a><\/em>. \u00c9s autor de tres llibres, el m\u00e9s recent, Microcatalunya<\/a><\/em>.<\/p>\n

\n

Amb m\u00fasica de:<\/em>\u00a0Concha Buika<\/a>,<\/a>\u00a0Pau de Nut,<\/a>
\nNegro Bey<\/a>, Jamin<\/a> i Charli Weezy<\/a><\/p>\n

Edici\u00f3:<\/em>
\nEmanuele Tiziani<\/a><\/p>\n

Direcci\u00f3 de fotografia:
\n<\/i>Josep Guti\u00e9rrez<\/a><\/p>\n

Animaci\u00f3 i identitat gr\u00e0fica:
\n<\/em>Taller Estampa<\/a><\/p>\n

So:<\/em>
\nVer\u00f2<\/span>nica Font<\/a><\/p>\n

Postproducci\u00f3 de color:<\/em>
\nArtic<\/a><\/p>\n

[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_column_text]<\/p>\n

Producci\u00f3 executiva:
\n<\/i>Marc Serena i Toni Espinosa<\/p>\n

Amb el suport de<\/em>: Ajuntament de Barcelona, Generalitat de Catalunya, Ajuntament de Sant Cugat i 437 micromecenes a trav\u00e9s de Verkami.<\/a><\/p>\n

Un projecte desenvolupat al Dox in Vitro<\/a> (Eslov\u00e0quia), Frontlab<\/a> (It\u00e0lia) 2018, Dig Awards<\/a> (It\u00e0lia), Fest.pt<\/a> (Portugal) i Bolivialab<\/a> (Bol\u00edvia) 2019.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-205659″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Galeria” row_name=”galeria”][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Galeria<\/span><\/h1>\n

[\/vc_custom_heading][vc_gallery el_id=”gallery-835786″ isotope_mode=”fitRows” medias=”73428,73434,73437,73440,73508,73449,73431,73446″ gutter_size=”3″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”50″ single_padding=”2″][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-209078″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”diuen” row_name=”diuen”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Diuen…<\/span><\/h1>\n

[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”466923″]<\/p>\n

\u201cUn pa\u00eds sotm\u00e8s a una dictadura d’ADN franquista\u201d<\/a>
\nTime Out Barcelona
\n<\/span><\/h4>\n

\u201cUn documental que tracta<\/span> de pal\u00b7liar<\/span> l’amn\u00e8sia<\/span> col\u00b7lectiva<\/span><\/span>“<\/a>
\nNueva Tribuna<\/span><\/h4>\n

\u201cUn document d’enorme valor\u201d<\/a>
\nelM\u00f3n<\/span><\/h4>\n

\u201cUna mirada cr\u00edtica i saga\u00e7\u201d<\/a>
\nN\u00favol<\/span><\/h4>\n

\u201cNecessari per descobrir l’altra cara d’un pa\u00eds que va ser espanyol\u201d<\/a>
\nelPeri\u00f3dico
\n<\/span><\/h4>\n

\u201cEl retrat d’un pa\u00eds amb una petjada colonial gravada a foc\u201d<\/a>
\nDirecta<\/span><\/h4>\n

\u201cEl primer llargmetratge rodat al pa\u00eds que \u00e9s cr\u00edtic amb la seva dictadura\u201d<\/a>
\nTV5 Monde (Fran\u00e7a)<\/span><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_column_text]<\/p>\n

\u201cLa hist\u00f2ria d’un home intel\u00b7ligent que viu a cavall de dos pa\u00efsos que no l’entenen\u201d<\/a>
\n<\/span>El Punt Avui<\/span><\/h4>\n

\u201cParla del qui ning\u00fa m\u00e9s parla\u201d<\/a>
\nEl Antepen\u00faltimo Mohicano<\/span><\/h4>\n

\u201cT\u00e9 el m\u00e8rit d’endinsar-se en un territori proscrit\u201d<\/a>
\nEl Pa\u00eds
\n<\/span><\/h4>\n

\u201cUna pel\u00b7l\u00edcula que ve a saldar un deute hist\u00f2ric\u201d<\/a>
\nCaim\u00e1n-Cuadernos de cine
\n<\/span><\/h4>\n

\u201cUna de les millors de l’any\u201d<\/a>
\nEldiario.es
\n<\/span><\/h4>\n

\u201cUn dels documentals de l’any\u201d<\/a>
\nBetev\u00e9<\/span><\/h4>\n

\u201cReiterativa i profundament antiespanyola\u201d<\/a>
\nConfer\u00e8ncia Episcopal Espanyola
\n<\/span><\/h4>\n

[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-191079″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”veurela” row_name=”veurela”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Veure-la<\/span><\/h1>\n

[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text css=”.vc_custom_1776272744091{margin-top: 20px !important;}” uncode_shortcode_id=”892058″]A Filmin!<\/a><\/p>\n

 <\/p>\n

2021<\/strong><\/p>\n

9-18 abril<\/strong>. Festival Vues d’Afrique<\/a>, Canad\u00e0.<\/p>\n

30 abril<\/strong>. Iberodocs<\/a>, Esc\u00f2cia.<\/p>\n

9-20 maig<\/strong>. Muica Colombia<\/a>.<\/p>\n

21 maig.<\/strong> 20.30h.<\/strong> Cineclub El Casal La Mirada<\/a> de Mollet del Vall\u00e8s.<\/p>\n

28 maig<\/strong>. 18.30h Biblioteca Ignasi Igl\u00e9sias-Can Fabra<\/a>, Barcelona.<\/p>\n

10 juny<\/strong>. 19h.<\/strong> DocuXix\u00f3n<\/a>. Gij\u00f3n.<\/p>\n

16 juny.<\/strong> Valladolid.<\/p>\n

28 juny.<\/strong> Institut Franc\u00e8s de Barcelona<\/a>. Amb Negro Bey.<\/p>\n

6 juliol. <\/strong>Cine Zoco Majalahonda<\/a>. Amb Negro Bey.<\/p>\n

13 juliol.<\/strong> Filmoteca Canaria<\/a> – Santa Cruz de Tenerife.<\/p>\n

14 juliol.<\/strong> Filmoteca Canaria<\/a> – Las Palmas de Gran Canaria.<\/p>\n

16 juliol.<\/strong> Valldoreix<\/a>.<\/p>\n

28 juliol<\/strong>. CFCE Cartagenas de Indias<\/a>. Col\u00f2mbia.<\/p>\n

13 agost.<\/strong> Congreso Internacional de Correctores de Texto en Espa\u00f1ol.<\/a> Col\u00f2mbia.<\/p>\n

9-11 setembre<\/strong>. Red Acampa.<\/a> A Coru\u00f1a.<\/p>\n

28 setembre<\/strong>. Reus<\/a>.<\/p>\n

5 octubre.<\/strong> Afrikaldia<\/a>. Vitoria-Gasteiz.<\/p>\n

9 octubre.<\/strong> Afrika FilmFestival Festival,<\/a> B\u00e8lgica.<\/p>\n

19 octubre.<\/strong> Sant Vicen\u00e7 dels Horts.<\/p>\n

21 octubre.<\/strong> M\u00e0laga<\/a><\/p>\n

4 novembre.<\/strong> Auditori Sant Mart\u00ed<\/a>. Barcelona<\/p>\n

8 novembre<\/strong>. Afriff Nigeria<\/a>. Premiere africana.<\/p>\n

10 novembre.<\/strong> 18.30h. XVII Edici\u00f3n de la Muestra de cine y Derechos Humanos<\/a>. Centro Joaqu\u00edn Roncal en Zaragoza.<\/p>\n

1 desembre<\/strong>. Universitat Aut\u00f2noma de Barcelona.<\/p>\n

9 desembre.<\/strong> Centre C\u00edvic Vil\u00b7la Florida<\/a>. Barcelona.<\/p>\n

14 desembre.<\/strong> RTP2<\/a>. Portugal.<\/p>\n

16 desembre.<\/strong> Centre C\u00edvic Trias i Peitx<\/a>. Barcelona<\/p>\n

2022<\/strong><\/p>\n

17 febrer.<\/strong> Centre C\u00edvic La Sagrera<\/a>. Barcelona.<\/p>\n

25 febrer<\/strong>. Universitat Johns Hopkins<\/a>. Estats Units.<\/p>\n

23 abril.<\/strong> C\u00edrcol Cat\u00f2lic<\/a>. Badalona.<\/p>\n

25-26 abril<\/strong>. Cineclub Alcarre\u00f1o<\/a>. Guadalajara.<\/p>\n

27 abril.<\/strong> Cameroon International Film Festival<\/a>. Buea, Camerun.<\/p>\n

10 juny.<\/strong> Spanish Night<\/a>. Irlanda.<\/p>\n

20 juliol.<\/strong> La Palmera. FICAC<\/a>. Tarragona.<\/p>\n

27 setembre.<\/strong> 19h. Biblioteca Dos Rius. Torell\u00f3.<\/p>\n

7 octubre.<\/strong> 19h. Sala ZALZIE. Casal Societat La Principal<\/a>. Vilafranca del Pened\u00e8s.<\/p>\n

10 octubre.<\/strong> 18h. Biblioteca Mestre Mart\u00ed. Rub\u00ed.<\/a><\/p>\n

22 octubre.<\/strong> 19h. Cinema Montgr\u00ed. Torroella de Montgr\u00ed.<\/p>\n

2023<\/strong><\/p>\n

13 gener<\/strong>. 21h. Azuqueca de Henares<\/a>.<\/p>\n

9 febrer<\/strong>. 17.15h Lit Fest Bergen<\/a>, Noruega.<\/p>\n

22 febrer<\/strong>. 18h. Biblioteca Vila de Gr\u00e0cia, Barcelona<\/a>. I l’endem\u00e0 debat amb Juan Tom\u00e1s \u00c1vila Laurel<\/a><\/p>\n

6 juny.<\/strong> Cinemateca danesa<\/a>, Dinamarca.<\/p>\n

21 juliol.<\/strong> Espai Cr\u00e0ter Olot.<\/p>\n

10 octubre.<\/strong> 18.30h. Casal Fort Pienc, Barcelona.<\/p>\n

19 octubre<\/strong>. 19h. Cambrils.<\/a><\/p>\n

4 novembre.<\/strong> Mat\u00ed. La Bisbal.<\/p>\n

2024<\/strong><\/p>\n

24 abril.<\/strong> Bilbao<\/a>.<\/p>\n

26 abril<\/strong>. Parla<\/a><\/p>\n

11 novembre<\/strong>. Girona<\/a>.<\/p>\n

2025<\/strong><\/p>\n

19 mar\u00e7.<\/strong> Cumbre Afro<\/a>. San Juan, Puerto Rico.<\/p>\n

19 juny.<\/strong> Cinem\u00f3n Sitges<\/a>.<\/p>\n

2026<\/strong><\/p>\n

16 abril.<\/strong> William and Mary.<\/a> Estats Units.[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_empty_space empty_h=”2″][vc_column_text css=”.vc_custom_1569855103877{margin-top: 20px !important;}”][\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”53″ back_image=”73440″ back_repeat=”no-repeat” back_position=”right center” parallax=”yes” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”Juan Tom\u00e1s” row_name=”Juan Tomas”][vc_column width=”1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-205659″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”extres” row_name=”extres”][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_custom_heading text_weight=”900″]<\/p>\n

Extres<\/span><\/h1>\n

[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text css=”.vc_custom_1569920050433{margin-bottom: -100px !important;}”]https:\/\/vimeo.com\/303488966[\/vc_column_text][vc_column_text]https:\/\/vimeo.com\/307071015[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”bottom” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_empty_space empty_h=”2″][vc_column_text]https:\/\/vimeo.com\/303471120[\/vc_column_text][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ el_class=”contacte” row_name=”contacte”][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][vc_column_text]Una producci\u00f3 de Fora de Quadre<\/a> i Toned Media<\/a>
\nDistribuci\u00f3 internacional: The Open Reel<\/a>
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